In the age of Airbnb, The Rental strikes the right notes for horror. Barbarian made the whole home rental thing an angle, but The Rental made it the whole plot.
But it went deeper than that. There’s a lot to discuss here, so I decided to write about it.
Here’s my analysis of The Rental.

Screenshot from “The Rental” trailer.
Top Theories About the Meaning and Themes of ‘The Rental’ (2020)
1. The Illusion of Privacy in the Modern World
Theory: The film is a cautionary tale about how modern people willingly enter vulnerable situations (like renting Airbnbs) under the illusion of safety, exposing their private lives to unseen watchers.
- Why It Fits:
- The characters seek a secluded escape, but their privacy is violated from the start. The very act of renting a “safe, beautiful home” from a stranger places them in a controlled environment, mirroring how surveillance culture has infiltrated daily life.
- Key Moments:
- The discovery of the shower camera.
- The montage at the end showing other rental properties already rigged.
- The stranger watching from hidden places, showing how easy it is to be surveilled without knowing.
2. Secrets Are More Dangerous Than Strangers
Theory: The true catalyst for the group’s destruction isn’t the killer—it’s the secrets the characters keep from one another. The killer merely capitalizes on their moral failings.
- Why It Fits:
- The affair between Charlie and Mina, and their decision to cover it up, drives the group’s every bad choice. The refusal to go to the police after Taylor’s death stems from fear of exposure—not fear of murder.
- Key Moments:
- Charlie stopping Mina from calling the police about the hidden camera.
- The group conspiring to dump Taylor’s body.
- Michelle leaving after watching the affair footage—breaking the group’s unity right before the killer strikes.
3. The Fragility of Masculinity and Its Consequences
Theory: The film critiques male insecurity and impulsiveness, showing how the need to “protect” or “assert control” escalates danger instead of resolving it.
- Why It Fits:
- The men react with violence or cover-up to situations they can’t emotionally handle. Josh’s immediate assumption of Taylor’s guilt and Charlie’s constant manipulation reflect their fear of losing control or being exposed.
- Key Moments:
- Josh beating Taylor nearly to death based on assumption.
- Charlie manipulating everyone to avoid the truth coming out.
- The women (Michelle and Mina) being the only ones to argue for doing the right thing—calling the police.
4. A Nihilistic View of Human Connection
Theory: The film suggests that intimacy, trust, and relationships are meaningless in the face of random, predatory violence. The killer is faceless and motive-less—he exists only to destroy.
- Why It Fits:
- There is no backstory for the killer. He doesn’t seem to care about the group’s sins. He simply waits for their internal conflict to weaken them before striking, emphasizing the randomness and inevitability of death.
- Key Moments:
- The killer silently cleaning the house and moving on like it’s routine.
- No names or dialogue for the killer—he’s pure void.
- The ending sequence, where we see him watching new couples, suggesting an endless cycle of meaningless death.
5. Guilt Is the True Killer
Theory: The killer can be seen as a metaphorical manifestation of guilt, stalking each character until it destroys them.
- Why It Fits:
- Every character makes a morally compromised choice and is then hunted down shortly after. The guilt builds tension and fear within the group, making them vulnerable.
- Key Moments:
- Charlie and Mina being the first to sense they’re being watched.
- Michelle being emotionally devastated before her death.
- Josh seeing the affair footage right before he dies—emotional devastation precedes each murder.
Key Themes in ‘The Rental’
The Breakdown of Trust in Close Relationships
The Rental explores how even close-knit groups can unravel quickly under pressure. Jealousy, infidelity, and poor communication chip away at foundational trust, leading to paranoia and rash decisions. The film shows how personal fractures become dangerous when faced with external threats.
Outsourcing Intimacy to Unfamiliar Spaces
By choosing a rental home for their getaway, the characters place themselves in a setting that feels personal but isn’t truly theirs. This borrowed intimacy becomes a backdrop for both emotional vulnerability and physical danger, highlighting the risks of feeling “at home” in unfamiliar environments.
Avoidance and Moral Compromise
Instead of confronting their mistakes, characters make a series of ethical compromises to avoid consequences. This avoidance leads to even greater danger. The film suggests that failing to act morally—even in moments of panic—can have irreversible results.
The Invisibility of Real Threats
The true antagonist remains unseen until the very end, emphasizing how real threats often hide behind ordinary façades. The characters focus on suspicious behavior from Taylor, missing the actual danger lurking behind the walls. The film underscores how easily we misjudge where danger comes from.
Technology as a Silent Predator
Cameras and surveillance devices appear passive but are used to exploit the characters. The theme suggests that modern technology, while integrated into daily life, can become a tool for control, invasion, and violence—especially when placed in the wrong hands.
Plot Summary
- Year Released: 2020
- Director: Dave Franco
- Writer: Dave Franco, Joe Swanberg & Mike Demski
Two couples—Charlie and Michelle, and Charlie’s brother Josh with his girlfriend Mina—rent a secluded coastal home for a weekend getaway. After a night of partying, Charlie and Mina, who are also business partners, secretly sleep together. The next day, they discover a hidden camera in the shower, but choose not to report it to avoid exposing their affair. Suspicion turns to the caretaker, Taylor, whom Josh eventually assaults. When Taylor later turns up dead, the group assumes Josh killed him and tries to cover it up. One by one, they are hunted and murdered by an anonymous, masked stranger who had planted the cameras and watches their downfall. The film ends with the killer moving on to another rental home, revealing a pattern of surveillance-driven murders.
Movies with Similar Themes to ‘The Rental’
(*This site is reader-supported. If you buy something through the links below, I may earn a small commission at no extra cost to you. As an Amazon Associate, I earn from qualifying purchases made through these links.)
The Strangers (2008)
A couple staying in a remote vacation home is terrorized by masked intruders, exploring the randomness of violence and helplessness in isolation.
—> Watch The Strangers online.
Gone Girl (2014)
A missing wife and a crumbling marriage are at the center of this psychological thriller, delving into deception, media manipulation, and the dark corners of intimate relationships.
Creep (2014)
A videographer accepts a job to film a stranger in a remote cabin, only to find himself manipulated and stalked. The film explores hidden intentions, trust, and the slow build of dread.
Cam (2018)
A camgirl’s identity is stolen by a digital doppelgänger, diving into surveillance, the loss of control over personal content, and technology’s invasion of privacy.
Funny Games (2007, US remake of 1997 Austrian film)
A family vacation turns into a nightmare when two polite young men infiltrate their home and begin a sadistic game, examining audience complicity and the fragility of domestic security.
Watcher (2022)
A woman believes she’s being stalked by a neighbor in a foreign city, but no one believes her. Themes include gaslighting, isolation, and the fear of being watched in unfamiliar surroundings.
The Invitation (2015)
A dinner party among old friends turns sinister as secrets unravel and paranoia mounts. The film explores grief, cult psychology, and distrust among acquaintances.
—> Watch The Invitation online.
Have Your Own ‘The Rental’ Theory?
What have I missed about The Rental?
I’m sure there’s more to discuss here, so let me know if you spotted anything else in the comments.
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Alex Lindley is a writer, editor, and perhaps the world’s biggest horror and sci-fi movie fan. He started DarkFilmTheories.com to fill the void left by the removal of IMDb forums—where some of the best discussion about film meanings, themes, and theories once happened.

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